The
Pompidou Centre opened its second European headquarters in Malaga,
with distinguished visitors and a material that will give much to
talk.
Hi,
the power of metamorphosis of some materials is given by their
interaction with others of different fracture, combining the best
qualities of each one of them. The Art knows much about this
combination of synergies (union of parts different to achieve a
better/greater effect), so has shown it for centuries, since the
theatre was created by combining a prescribed script, some changing
rooms, artists of various kinds and qualities and, of course, the
public.
A
month ago (specifically on March 28) opened the Pompidou Centre in
Malaga, as you know, I was specifically invited, and you would has
read in the international media. Of course, they also had the
courtesy of inviting the President of the Government (Mariano Rajoy),
the Minister of culture French (Fleur Perellín), the Baroness
Thyssen and Malaga's Antonio Banderas, among other figures and
authorities.
There I found a material with incredible possibilities and which, of
course, I've put on my white list: translucent concrete.
The
Pompidou Centre in Malaga
The
citizens of this region of Spain are in luck, especially those who
are united by the love of culture, clear. It's the first headquarters
of Pompidou that open outside from France, and could not have chosen
another option better than the Earth of another great artist: Pablo
Picasso (you thought in Antonio
Banderas
eh?), there you can enjoy works of Frida Kahlo, Alberto Giacometti,
Francis Bacon and Picasso himself and others, I counted 80 but you do
not trust me, I was very distracted with the concurrence.
Walking
between "celebrities" and "authorities", and
between talk and comment, your always loyal Rodolfo, was analyzing
the construction of the new Museum. "The
cube" is the recipient where the provisional headquarters of the
Pompidou will be established for five years, extendable for another
five if the parties so decide.
This unique building is located in the port of Malaga and since its
conception had cultural vocation, the building was completed in 2013
and adapted in 2014 and has become an icon of the opening of the
Malaga dock to the city.
The
simple shape of a transparent cube, built with steel and glass,
announces us what will be our passage through the facilities, a
simple enjoyment where paramount are the works of art exhibited, for
the inauguration Daniel
Buren
was commissioned for the recreation of the Cube... simply fantastic
(do not miss the photos). The 6,800 square meters, distributed in two
floors, contain the permanent showroom (distributed by Brigitte Leal,
Director of the Museum of modern art in Paris) and an auditorium in
plant less one and a room for temporary exhibitions, a space
workshop, stores, welcome to the desired audience, the cafeteria and
the administrative offices on the ground zero.
The
main problem of this type of construction (in the basement) is the
light, obviously, the lack of sunlight exponentially increases
spending on electricity consumption, but, on the other hand,
excessive heat also increases spending in refrigeration, in addition,
an excess of light is also detrimental to the reproduction of the
colours of the exposed pictures. The solution is, for me, and without
neglecting the works of art, the best of the Museum: panel’s i-
light ®. A success it place as a coating of inner courtyards, just
below the cube.
This
panels are pre-cast concrete that allow the passage of the light, are
composed of cement (obvious) and special resins (in our case white)
that reveal the images behind the panel without changing the colour.
Using
this material it’s sieved the light, gets a uniform surround and,
most importantly, gets a reduction of temperature transmission.
These panels were devised by the company FYM
Italcementi
for the Italian Pavilion at the universal exhibition in Expo Shanghai
2010.
To
coat the surface of almost 254 square meters of the courtyards were
used 96 pieces, a half of 175 kg and the other half of 250 (thanks
to the cranes!) and nine special parts for the corners and the union
with the glass. Although this material had already been used never
been done with this surface and with a height of 284 and 203
centimetres by 120 of width. The total cost of the parts was around
the 100,000 euros and the placement of the structure support and
mounting parts (which were performed in five and four days
respectively) cost only 40,500 euros.
The
translucent concrete
An
anecdote with some sympathy occurred when, a few meters from the Lord
Banderas, I was trying to discern that fragrance of their own harvest
he used... attempt foiled in advance, of course, because it was me
who used the "Diavolo". But let's look at the ours, there
are other companies that perform elements with translucent concrete,
if we saw that Itacelmenti makes them with resins, Litracon
used optical fibers (15%), mixed with cement, allowing the light to
pass through these. Markets its product in pieces parallelepipeds
(brick).
The
Austrian Lucem
has gone a little further than Litracon and has joined the
translucent concrete with wood and methacrylate, thus forming a
material with acoustic properties. They have a technical department
and help you in choosing the product and their formats, even if you
wish, they advise on the installation. They offer varied formats and
are very well suited to your needs, both inside and outside of your
building.
Finally
the Luccon
company also offers concrete translucent in different formats
according to the needs of the customer, although this concrete has
excellent mechanical properties, it is clear that its light
transmission feature makes it aesthetically very appealing. Luccon
highlights this quality through the incorporation of direct lighting
for their decorative elements, the predominant colors are black, grey
and white.
The
translucent concrete cannot miss in the next building that you build,
remember that the knowledge obligate, and, thanks to me, you know
this material. Bye bye.
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